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Tommo.
allforone
Until the giant fucking robot cyborg thing came.
KEZ_7
I was disappointed in it really. I've been a big fan of this new Marvel wave but that just didn't quite fit
Eric Portapotty
Scarlett Johansson as the voice of an operating system hmm....
K3V0
Abbott
The sleeze of Bangkok and the way it's captured plus the awesome soundscape kept me interested; wether I strictly enjoyed it though is another question.
I'm definitely enjoying thinking about it more now than when I actually watched it. It's pretty cool that Refn would follow-up his most successful 'hit' with something so distinctly his vision.
Other than that go see Frances Ha, because, you know, Noel Baumbach and that.
Abbott
YES I want to see this so bad. Has a cool Eternal Sunshine vibe that I'm totally game for. Interested to see how Ben Stiller does as director too. I know as an actor he's not been confined to comedy but it's kinda a departure for him as a filmmaker.
Crane
Well after Bronson he did Valhalla Rising, so it wasn't unexpected.
The Platypus
Anyway, the year is sort of shaping up. We've got Jonze, Coens, Scorsese, O. Russell, Von Trier all coming out this second half of the year.
Franck
That looks like it'll be really, really weird.
Crane
Another Steve McQueen + Fassbender film as well, really looking forward to it.
The Platypus
ianbaker
Obtuse
At 1:16 on that trailer, who is she as it is killing me trying to remember.
NM. Amy Adams
Tommo.
Only wanna watch this for Kristen Wiig
Leaf
Franck
Quite terrible. Refn needs to put out a film that has character progression and an actually story again.
The Platypus
Make it sound like he didn't just do that a couple of years ago.
Franck
I hope you're not referring to Drive when you're saying that.
The Platypus
Franck
My general thought on Only God Forgives is that Refn saw the success of Drive and thought "Hey, I managed to pull off a film with the Driver as the protagonist off, I wonder if I could do the same with a film where every character is a silent stooge just like him?".
Refn is a genius with the purely visual side of cinema, it's a shame that he seems to be forgetting the human side of it, especially when his earlier work with the Pusher films dealt with that side so well. If he could put together the stylistic brilliance from Drive with the humanity of a film like Pusher 2 we could get an all-time classic.
The Platypus
A film like Drive doesn't work if you don't manage to handle the human aspect of it, then you end up with a film like Only God Forgives.
You care about the characters, and The Driver does evolve. You may go on about a simplistic story, but a film like Dog Day Afternoon has an incredibly simple story as well. It's about how you handle it.
Fantastic
Telegram Sam
Franck
Tommo.
Slashman X
Telegram Sam
...Why?
Slashman X
Eric Portapotty